Antiques & collectibles
Architecture
Art
Bibles
Biography & autobiography
Body, mind & spirit
Business & economics
Comics & graphic novels
Computers
Cooking
Crafts & hobbies
Drama
Education
Family & relationships
Fiction
Foreign language study
Games
Gardening
Health & fitness
History
House & home
Humor
Language arts & disciplines
Law
Literary collections
Literary criticism
Mathematics
Medical
Music
Nature
Performing arts
Pets
Philosophy
Photography
Poetry
Political science
Psychology
Reference
Religion
Science
Self-help
Social science
Sports & recreation
Study aids
Technology & engineering
Transportation
Travel
True crime
Young fiction
Young nonfiction
Architecture
Art
Bibles
Biography & autobiography
Body, mind & spirit
Business & economics
Comics & graphic novels
Computers
Cooking
Crafts & hobbies
Drama
Education
Family & relationships
Fiction
Foreign language study
Games
Gardening
Health & fitness
History
House & home
Humor
Language arts & disciplines
Law
Literary collections
Literary criticism
Mathematics
Medical
Music
Nature
Performing arts
Pets
Philosophy
Photography
Poetry
Political science
Psychology
Reference
Religion
Science
Self-help
Social science
Sports & recreation
Study aids
Technology & engineering
Transportation
Travel
True crime
Young fiction
Young nonfiction
Dispatched from Southport
United Kingdom
Usually dispatched within 24 hours
United Kingdom
Usually dispatched within 24 hours
Publisher Description:
This book describes, analyses, and interprets the historical and cultural contexts of an African art renaissance using the twentieth-and twenty-first century transformation of ancient Yoruba artistic heritage. Juxtaposing ancient and contemporary Yoruba art, Okediji defines this art history through the lens of colonialism, an experience that served to both destroy ancient art traditions and revive Yoruba art in the twentieth century. With vivid reproductions of paintings, prints, and drawings, Okediji describes how Yoruba art has replenished and redefined itself. Okediji groups the text into several broadly overlapping periods that intricately detail the journey of Yoruba art and artists: first through oppression by European colonialism, then the attainment of Nigeria's independence and the new nation's subsequent military coup, and ending with present-day native Yoruban artists fleeing their homeland. Based upon extensive interviews with the artists and critical readings of the existing literature on contemporary Yoruba art, the book will appeal to the art historian and art collector and serve as a wonderful introduction to the canon of Yoruba art for the general reader.
This book describes, analyses, and interprets the historical and cultural contexts of an African art renaissance using the twentieth-and twenty-first century transformation of ancient Yoruba artistic heritage. Juxtaposing ancient and contemporary Yoruba art, Okediji defines this art history through the lens of colonialism, an experience that served to both destroy ancient art traditions and revive Yoruba art in the twentieth century. With vivid reproductions of paintings, prints, and drawings, Okediji describes how Yoruba art has replenished and redefined itself. Okediji groups the text into several broadly overlapping periods that intricately detail the journey of Yoruba art and artists: first through oppression by European colonialism, then the attainment of Nigeria's independence and the new nation's subsequent military coup, and ending with present-day native Yoruban artists fleeing their homeland. Based upon extensive interviews with the artists and critical readings of the existing literature on contemporary Yoruba art, the book will appeal to the art historian and art collector and serve as a wonderful introduction to the canon of Yoruba art for the general reader.


